Showing posts with label fan involvement. Show all posts
Showing posts with label fan involvement. Show all posts

Saturday, August 9, 2008

TWILIGHT OVERLOAD

Status: In the middle of a housing crisis and not able to write on my projects currently--even though I'm still wanting to! lol

Doing: Transplanting my peppers into larger pots. (At least--I think those are peppers!)

Watching: The shadows on the wall--as the sun goes by.

Listening to: Nothing at the moment.

Reading: Kushiel's Scion. Page 504.

TOPIC: ONE OVERWHELMED AUTHOR

I don't touch base on this--hell...I try to avoid discussing anything related to Harry Potter or Twilight--because neither book is my cup of tea.

I prefer to set my own course in life as a writer. I don't need to imitate someone else's success--when I have my own to rely on for inspiration and personal guidance.

But this article I found on the internet reminded me that not everything is so cut and dry when it comes to being published in the mainstream industry.

With each passing year, I find myself glad that I'm not going to be a part of it.

I don't need the headaches of becoming famous or finding myself overwhelmed--which I already am--or something that forces me to forget what it means to be a writer; than just being a commercial and literary success to someone else's bottom line.

Fans I can do without, the media attention I can ignore without regret, all the hundreds of thousands of dollars made from an advance...?

Nothing replaces the joy and the relief of having completed something that took a very long time to come to fruition.

Something I can take personal pride in--knowing that no one else will be able to duplicate what I set out to do and been able to do.

The article also served as a pointed reminder just how difficult and bad things have gotten for the publishing industry as a whole.

Things for them aren't getting any easier.

Which is why I avoid becoming so limited in my pursuits of becoming a self-published author under my own specialized imprint. (And that by itself--isn't evil; considering all the immense time, effort, and money I have been putting into this little venture of mine.)

I'm expecting some good to come out of all of this heartache, anguish, and personal pain which I've endured all these years.

Think of me as another Prometheus--pushing that giant boulder up that steep hill; according to the Greek mythos.

***

The Online Fan World of the Twilight Vampire Books

Harry who?

A year after J.K. Rowling wrapped up the blockbuster Harry Potter saga, author Stephenie Meyer has booksellers almost ready to forget the brilliant young wizard.

Her Twilight books, about the tangled relationship between a handsome vampire and an endearingly ordinary teenage girl, have become reliable smash hits.

When Breaking Dawn, the last of the four-book series, comes out on Aug. 2, it's expected to surpass all her previous efforts, with an initial print run of 3.2 million copies.

Meyers success isnt due simply to her vivid imagination for vampire romance. She also figured out before almost anyone in the book industry how to connect with readers over the Internet and inspire them to build on her work. Since Meyer published the first Twilight book in 2005, she has reached out to readers on social networking sites, such as MySpace (NYSE:NWS - News), and participated in online discussion groups.

Fired-up fans have championed her books on Amazon.com (NasdaqGS:AMZN - News) and set up their own sites, such as Twilight Lexicon and TwilightMOMS. That has helped propel sales of the series to 7.5 million books. "Other authors have pockets of fans online, but nothing to this extent," says Trevor Dayton, a vice-president at Indigo, Canada's leading bookseller. "Stephenie Meyers Twilight series is the first social networking best seller."

Executives in the book industry have long understood that the Internet can help authors connect with fans, of course. Major releases are usually backed by author videos, a Web site, and interviews with influential book bloggers.

But Meyer, a 34-year-old mother of three from Phoenix, went well beyond standard marketing. She engaged with online readers to answer their most detailed questions about the star-crossed lovers, Edward Cullen and Bella Swan. She put up her own Web site, in addition to the one by her publisher, Little, Brown Books for Young Readers, posting her personal e-mail address and family photos. And with Little Brown's help, Meyer threw a real-life prom for her Net fans last year, drawing a huge crowd decked out in flowing vampire capes and fake leg casts in homage to the accident-prone Bella.

Meyer's readers have responded by creating an entire world of Twilight on the Web. Cousins Chris McElvogue and Georgina Tena launched Twilighters.org last year to discuss the books with other readers. Now their site follows every stitch of Twilight news, from plans for book release parties to gossip about the Twilight movie due out in December. The Internet is the best way to connect with other fans, says McElvogue. Twilight has grown into such a sprawling franchise that it has become difficult for Meyer, who declined to comment for this story, to stay as involved online as in the past.

Her success is a rare bright spot in the gloomy book industry. Book publishers have struggled for years as Americans turn to other forms of entertainment, from cable TV to video games. Publishers have responded by cranking out ever more new titles, hitting 411,422 last year, up from 247,777 in 2002, according to researcher R.R. Bowker. Yet industry revenues, at $41 billion, are barely growing.

With hits increasingly rare, many book publishers suffer from boom and bust cycles. Most major houses live and die by the blockbuster, says Michael Norris, analyst with researcher Simba Information. A publisher's revenue may be up 10% one year and down 10% the next, depending on the performance of just one or two books out of thousands. Scholastic pulled in $240 million from its Harry Potter franchise in the first quarter after the release of Deathly Hallows last summer but saw that figure drop to a mere $10 million in the most recent quarter.

Now authors are beginning to imitate the online strategies Meyer pioneered in hopes of creating communities of engaged readers.

The hits Freakonomics, The 4-Hour Workweek, and The Last Lecture have been backed by similar efforts. "Her success has inspired other authors," says Jennifer Northcutt, fiction buyer at Borders Group, the second-largest U.S. bookstore chain. "Theyve learned you have to be active online."

Twilight was born on June 2, 2003. As Meyer explained on her site, she woke up that morning after a dream about a striking teenage vampire in a sunny meadow with an ordinary girl. The youngsters were falling in love, but the vampire was torn between his desire for the girl's affection and for her blood. That day, between making lunch and taking her three young sons -- ages 1, 3, and 5 -- to swimming lessons, Meyer wrote 10 pages. After that, she couldn't stop.

She moved a desk into the middle of her living room so she could work while her kids played nearby.

She wrote late into the night, blasting progressive rock on her headphones.

In those first few weeks, Meyer was exhausted but ecstatic. After graduating from Brigham Young University with an English major in 1995, the stay-at-home mom could never finish the stories she tried writing. Twilight was different. She says she could hear the couple's voices in her head. The writing came easily. The series begins with Bella moving reluctantly to soggy Forks, Wash. She meets Edward on the first day at her new high school. The dangers of their forbidden relationship propel the story. Meyer finished writing in three months.

She soon had a $750,000, three-book deal, a vast sum for a first-time author. (With the millions in royalties since, her husband, an auditor, was able to quit his job recently to look after their kids.)

Marketing for the 2005 book launch started with the standard Net fare. Meyer did interviews with bloggers, and Little Brown created a darkly gothic Web site. But the author thought the site's design didn't fit her personality. So she created the more lighthearted Stepheniemeyer.com.

She plastered it with photos of herself and her fans at readings and provided a wry autobiography, with tales of growing up in a Brady Bunch-size family. She also gave bubbly updates on her book tours and peeks into her home life. One photo showed her sons at Halloween, dressed as a Power Ranger, Napoleon Dynamite, and Captain Hook.

Fans were drawn in primarily by their love of the book. The relationship between Edward and Bella may be the stuff of fantasy, but it mirrors the real-life angst and passion of the teenage years. What set Twilight apart was the way teens tracked down fellow readers immediately after closing the books. Within a month of the first book's release, fan sites began to appear. Brittany Gardener started a MySpace group to discuss the book after reading it in one night in December 2006.

Her group eventually drew 60,000 members.

Meyer eagerly followed her fans online. She'd never heard of MySpace, but once she discovered Gardener's group, she signed up. She started dropping in, answering fans' questions. ("If Bella ever had a pet, would it be hard for Edward to come around?" "What percent of vampires occupy America?")

Meyers involvement inspired her fans. Lori Joffs, a stay-at-home mom in Nashville, fell in love with Twilight in early 2006 and began writing a version of the book from Edward's point of view. In February, Joffs posted her rewrite of four chapters at FanFiction.net.

Two weeks later, Meyer left a review: "I'm having a great time reading your vision of things." Joffs says she was thrilled and e-mailed Meyer explaining that she wanted to start a Web site to organize the book's facts. Meyer replied that she loved the idea and offered to fill in the characters' backstories. That April, Joffs created Twilight Lexicon, now the most popular fan site, drawing 30,000 daily visitors.

In 2006, Meyer used the Net to meet fans in person. On her Web site, she arranged "I Love Edward" parties, gathering with her readers in libraries and bookstores. Fans began traveling thousands of miles to participate.

Meyer kept trying new ways to reach out to readers. During a book signing in the fall of 2006 for New Moon, the second book, college student Kady Weatherford joked that Meyer should throw a Twilight prom. Meyer relayed the idea to Little Brown, which liked it and helped organize the event. In November, Meyer announced the prom online just ahead of the launch of the third book in the series. The 500-guest event sold out in six hours, prompting the committee to add another prom. It also sold out.

On May 5, 2007, fans crammed into an Arizona State University gym. They whooped wildly when Meyer, in a burgundy dress with her dark hair up in ringlets, climbed onstage.

After the release of Eclipse in August 2007, thousands of people started showing up at her signings. Meyer took her e-mail address off her site and kept in touch mainly through exchanges on fan sites. In December she visited TwilightMOMS. "Hi, my fellow moms," she wrote. "It's just so cool that I'm not the only 30+ mom and wife in love with fictional underage vampires and werewolves."

Still, the distance between the superstar author and her Internet fan base is widening. Meyer has two books out this year, Breaking Dawn and The Host, her first adult book. She also consulted on the $37 million Twilight movie. While Meyer and her publicist keep fan sites in the loop on key events, she can't maintain the close personal contact with readers she used to have.

On her blog and MySpace page, the chatty, personal reports have given way to more standard marketing.

And in a major shift, Meyer is asking fans to pull back online. On July 7 she asked the top sites to close their forums three weeks before Breaking Dawn's premiere so that early readers couldn't spoil the plot by revealing details. Most fans are complying. But some aren't happy. "This seems so incredibly counterintuitive to me," wrote one on TwilightMOMS.

Meyer may have been far ahead of the book industry in building a fan base online. But she doesnt have all the answers to balancing accessibility and fame. "Stephenie is a total sweetheart," says Michelle Vieira, who started trading e-mails with Meyer in 2005. "She was open for fans to talk to. Now it's impossible. She's hugely busy."

Friday, April 18, 2008

WHY I WANT FANS TO COLLABORATE WITH ME!

Status: Writing on Chapter 146 of Starchild Duel. (Still battling the flu while watching the snow continue to fall. 2.5" so far.)

Doing: Writing on this blog; answering e-mails; working out, and well...you know the rest! :0)

Watching: KIRO 7 NEWS; couple of Disney tapes.

Listening to: Dance Hits of the 90s (mix tape); "Round Round".

Reading: Kushiel's Scion. Page 252.

STAR TREK: CRUCIBLE: MCCOY-PROVENANCE OF SHADOWS. Page 11

TOPIC: THE ROWLING CONTROVERSY CONTINUES

It's strange how some people respond to an e-mail by recklessly implying that they intend to take what you've published and make some money off of your works--just because you came to the defense of someone who has the balls to take on someone like J.K. Rowling.

Talk about your amateur hour at the Improv! Or is that blind arrogance I so detect? Hmm? Such statements remind me of a comment found one of my brother's beloved Cracked cards from his Magic-The Gathering decks: "Whatever I do comes back and sticks onto you."

From what I've been able to uncover, it's nothing more than a simple power grab by Rowling in her attempts have absolute mastery over the print media. She apparently doesn't give a rat's ass about what one of her fans want to do. It's all about her and no one else.

And this is what had got my goat this week--during the bouts of the flu--authors who feel that no one but them should have the right to publish their works.

I have to agree that this is what being a writer is all about. But what I am not in agreement is with is that the fans and readers have to be forced to abide by a set of rules which spells out that they can and cannot do with the published authors' works after the book has been published.

If someone wanted to collaborate with me on any of my books in the future--a fan-based collection of short stories set in the Starchild Universe--I wouldn't be sitting there and denying that fan a chance to flex his or her imagination on the book idea.

I would be all for it.

Set up a contract that spells out what will go down and write it! Y'know? Because even though the author has sole ownership rights to his or her works, it doesn't necessarily mean that readers and fans alike can't share in the fun as well.

I think this is what needs to change and needs to be more clarified. In order for an author to be successful, it requires both sides to come together and share in the same unique vision set forth in the books themselves.

The author themselves can't expect to do the lion's share of the work--without the help of his or her fanbase and readers. Without involving them in the process of taking part in the actual writing.

Fan-fiction by itself isn't enough for most loyal fans, because they can't share what they've created with the creator or the author. All they have is a cyber audience that is presently engaged in other things--least of all in what the fan had gone and created--and that doesn't help them any.

Nor can they get it published. And that is where the problem lies. There is that roadblock which tells the fan that they cannot go and get it published--without the threat of being sued.

And that's the problem. We are in effect telling our own fans and readers: "Don't publish anything based on my works--because I'll have to sue you at my convenience."

Why? Didn't we just give them the greenlight to go ahead and write fan-fiction based on already published novel? Why don't we all sue them for even making the attempt in the first place?

I wrote some Robotech fan-fiction based on a series I hope to complete one of these days and publish.

A saga I started 13 years ago.

Why hasn't Harmony Gold or any of its creative-license members sued me for even writing it? It doesn't detract from the original vision set forth by Carl Macek and his crew of 'robbies'.

So why can't I publish it?

The problem lies in the control of the idea and the vision. Not what we all have written. It has to fly in the face of what the concept was based upon, not go fly off on a handle--with a completely different idea using the base pair of concepts.

What I want to do with my work is create stories based on what's taken place--written by fans, for fans, and published by fans.

All I would need is a contractual agreement and everything is fine.

I may not have all the time in the world to write every story based on every book I've constructed over the years, but I would like to--no: love--to see what someone else can come up with in their spare time.

And get it published through an equal-rights partnership and collaboration. I'm just tired of seeing the fans and readers get screwed by things that hamper our abilities to think and dream up shit--based on some published concept that's more outdated than a 50-year-old Twinkie.

Lawsuits are for power-hungry peons and people whom have nothing better to do with their time than make other people fucking miserable--because they've lost sight of what it meant to be flexible and understanding.

Money isn't forever. We all have to share in it at some point. But as an unpublished author myself, I want to involve my fans and readers in my works than just simply having them read the adventures of my varied characters.

I want them to experience and take part in it themselves. So that they can witness first-hand their own impact their writing has on my books.

But if people are going to be worried that it's going to take away the vision of what I've set in motion, I don't think you're going to have much to worry about: I'm already set in what I want in my books.

I know what I want. But I want to see what others can come up with.

But there's a lot in my novels that have yet to be explored. And I don't think I'm going to have time to write them all.

Which is why I want people to be involved in what I'm doing. It's not just me I'm writing for. But I'm making it possible for other people to share in what's like to have their name on something that I've created--written by my own hands--and bottom line...?

Have a little piece of the action themselves.

If people think that all it's doing is taking money away from me, I wouldn't worry about it too much. I've gotten used to living on such limited income as it is, I don't think having less money is going to impact me anymore than it already has now.

Yes, I've had my share of difficulties financially, but seriously? I don't need money to be rich. I'm already rich in ideas, concepts, and my imagination.

I will have all I will ever need to become a successful author. I just others to share in that glory and happiness. And make a little money on the side.

Others still may not understand, some may think I'm shooting myself in the foot, but it's not the mainstream that I'm doing this for.

I'm doing this because my fans and readers deserve it. Not because some overbloated egghead of an author thinks that they are too high on themselves to even notice the negative impact of denying them the opportunity of sharing in a unique collaboration.

A chance to expand and branch out.

It's part of the reason why some of my books don't have a defined beginning or an ending. Because there's a lot I left out. Not on purpose. Not by accident. Because that's that way the books wrote themselves.

I want the fans to help me fill in the blanks. In their own words.

Screw the mainstream way of thinking. This was never theirs to begin with.

It's mine and anyone else's who wants to share in this.

Sky